A lovely review of The Death Beat in the recent Historical Novel Review magazine.

As with the previous two novels, this was taut and entertaining. I also liked Poppy’s development from the earlier books. She’s always been torn between her upbringing as a Methodist minister’s daughter and her own desires as a career-minded young woman in the 1920s. Her inner conflict felt more pronounced to me in this book. Poppy has enlightened standards for how women should be treated that deviate quite a bit from her very traditional, conservative background, which at times cause her stress. This fits in well with the blossoming awareness about the conditions of immigrants and sweatshops and people forced into prostitution. While it was fun to see 1920s New York, I confess I missed London. In any case, it was an exciting, well written story and a good series addition. Recommended.

You can read the full review here.

Another great review of The Kill Fee in the highly respected Historical Novel Review (Issue 79), published by the Historical Novel Society. Relieved to have passed muster! (Glad to see they liked my original 1920 map – I spent months looking for just the right one).

It’s October 1920 in London, and young reporter Poppy Denby finds herself in the midst of murder, Bolshevik intrigue, stolen Faberge eggs, and aristocratic Russian princess actresses. Poppy is only slightly distracted by her beau, widowed Daniel Rokeby, who is more ready than Poppy to move their relationship along. It’s up to Poppy to get ahead of the detectives investigating the murders and thefts, not only to see justice done but also to get the scoop on competing newspapers.

This is a light, fast read, well-written and with plenty of twists and eccentric characters—including playwright George Bernard Shaw, Rasputin assassin Prince Felix Yusopov, and even the Tsar and Tsarina—for there are episodes in the book that skip back in time. (The Romanovs, the wealthiest family in the world at the time, had been murdered in 1918.)

Smith warns readers about how complex the political scene was between the Russian Whites (supporters of the old order, or at least enemies of communism) and all the Red factions. No need to worry; she does a fine job of telling her story without political confusion, mostly by staying clear of politics. The confusion comes from the glut of characters, but again, not to worry. Smith helpfully offers an index of fictional and historical characters. There’s also a fine map of 1920 London at the front of the book.

All in all, an entertaining romp with nonstop action, a perky heroine, and quirky characters.

See the full review here.