Publishers’ Weekly reviews The Kill Fee

Smith (The Jazz Files) returns to formidable and spunky Poppy Denby, arts and entertainment editor for the Daily Globe, in this inspirational whodunit set in post-WWI London. As Poppy goes from covering a Russian art exhibit to looking for a murderer and a missing Fabergé egg, she takes on charming and possibly nefarious Andrei Nogovski of the Russian embassy. With help from Rollo Rolandson, her boss; fellow reporter Ike Garfield; aunt and suffragette Dot Denby; and best friend Delilah Marconi, Poppy follows leads and discovers that people aren’t always what they seem. Interspersed with Poppy’s story are flashbacks that center on a young Russian aristocrat and the nanny who saves her from the fate of the rest of her family. The audience follows them as they cross the Russian landscape and wait to see how their story intersects with Poppy’s mystery. The complicated plot, involving a myriad of both White and Red Russians, is offset by the list of characters at the beginning, reminding readers of numerous important names and their allegiances. Smith weaves together a diverse cast, including both male and female characters in positions of power, and depicting a variety of ethnicities and abilities without resorting to stereotypes. Embark with upstanding, uplifting Poppy and her friends on a mystery involving jewel thieves, Russian royalty, murders, sword fights, car chases, and secret tunnel. Full review here.

New Year review of The Kill Fee

Happy New Year to you all! It’s been a lovely start to the year receiving my copy of Northern Insight magazine with a review of The Kill Fee on p139. They say “Steeped in flapper girls, scandal and jazz age glitterati, The Kill Fee is a potent mix of history, mystery and sharp observation. A great thriller for the festive period and every bit as good as the author’s initial offering, The Jazz Files.”

The Crime Writers’ Awards Dinner

This week I am back at my desk after a whirlwind week in London where I went to attend a gala awards dinner, hosted by the Crime Writers’ Association. The Jazz Files did not win the CWA Endeavour Historical Dagger award. It was pipped at the post by the very worthy Stasi Child by David Young. But what a fantastic night we had! A gang from my publishers’ Lion Hudson were there to cheer Poppy along and my husband, Rodney, came down from Newcastle with me. Here are some pics from the night. The one with my eyes closed is me waiting to hear the result …

Illustrious company. The Jazz Files alongside fellow nominees AJ Wright’s Striking Murder (wonderful book) and David Young’s Stasi Child (a worthy winner).
Me and editor Jessica Tinker in our flapulous 1920s gear. Photo courtesy of the very lovely Amy Boucher Pye from the Woman Alive Book Club who was also there to cheer us on.
And the winner is … not me!
Pride in the pride. Me with Lion Fiction editors Tony Collins who first commissioned the Poppy Denby series, and current editor the flapulous Jessica Tinker
Me and fellow Lioness Elizabeth Flynn, author of the D.I. Costello crime series.

Flappers, fops and murder

Anyone in the Newcastle area on Monday 26 September, between 5 – 6.30pm (you can come straight from work), I am giving a talk at the central library on writing historical crime fiction in the jazz age. The event is free and there will be tea and biscuits. This is aimed at the general public and writers and readers of historical crime fiction.

(Please note this is not the launch party of The Kill Fee – I will be sending out invitations to that later!)

For more information and to book your free ticket click here.

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